Their sound is shamelessly opulent and sumptuous with rot, like fruit losing its color but deepening in scent. Nothing symbolizes freedom quite like the pairing of a motorcycle and open road.
On the title track of their stellar second album, L. For a remedy, they delve deeper into Youngian psychology, unleashing a series of pained fretboard squeals that sound like the guitar-solo equivalent of screaming into your pillow. How can you make sure a good thing lasts forever? This is the stuff of real intimacy, of partnership, of creating a language and a life together.
It turns out the woman who built a career on fairy tales and scorched-earth breakup songs is just as deft with the simple and soulful. Teenage Atlanta rapper Duwap Kaine has been releasing lo-fi bedroom recordings on SoundCloud for about three years with little fanfare, and his music feels almost yawned out, dotted with Chief Keef-inspired Auto-Tune melodies, mumbled punchlines, and featherlight beats.
But Lennox thought it was the most important song on the album, because for a young woman like her, having her own apartment signifies safety and independence. But the music here is slower-paced, introspective. Pop stars slumped into nihilistic torpor this year, too paranoid and depressed to migrate from their beds to the dancefloor.
In this economy? But not all revelry equates with excess, even when the world is crumbling. The opening track of her second album, At the Party With My Brown Friends , it is Pacific Northwest indie rock at its finest—all quiet humming and watery guitar, mist and cold air—but it retains the redemptive quality of gospel.
Sometimes what looks like a party is really salvation. Lil Uzi Vert]. The resulting mood is placid but tense, like a flame meandering down a fuse. Energetic bolts of noise and percussion materialize from the sky and vanish just as quickly, disrupting the groove but not toppling it. The marching, Honorable C. The song marks college players as victims of institutional suppression of opportunity, implicating the system as exploitative of the primarily black stars who earn billions in revenue for others.
But a funny thing happens as the song continues its endless build: It pulls you in. What started out forbidding and impenetrable becomes a bubble you live inside. The Tokyo electronic musician is famous for lengthy, off-kilter DJ sets that disorient and envelop in equal measure. Here, she effortlessly flips the specter of colossal menace into a warm embrace. When you listen to a great punk song, you should be holding your breath a little, fearing for its survival.
She sounds positively serene. Long Island native Jade Lilitri makes emo that could only exist in Her voice expresses a gentle yet pervasive melancholy, but the swaying cymbals, woozy guitars, and lazy pedal steel keep you from sinking too deep into self-pity.
He tells stories. The song hits an emotional peak when the beat drops and Maxo starts talking about his own family, ripped apart by prison sentences and drug addiction. At the beginning of , Rema was a teenager from Benin City, Nigeria, with a modestly viral front-seat car freestyle. In the spring, he was at the top of the Nigerian charts.
The Ozedikus-produced rhythm is bouncy and fresh, while Rema injects the track with youthful energy and eccentric melodies. The times are changing in Nigeria, both politically and culturally, and the next generation of Afropop sounds like Rema.
The Long Island MC may have verified these fabrications, but his playfulness was obvious enough from the sound of things. It is, quite certainly, the horniest song of said epoch. It is the sort of music about fucking that you make when your very right to fuck is under attack : Brownstein and bandmate Corin Tucker sing about sex as a desperate leap into disembodiment.
The fevered pulse of St. So long as Sleater-Kinney survives, no force on earth will stand between a woman, another woman, and their primal urge to U-Haul. Home is an ambiguous concept for Dan Snaith: In his nearly two decades of music-making, the producer has dramatically reinvented himself on an album-by-album basis, veering from glitchy electronica to blown-out shoegaze to kaleidoscopic pop to subaquatic house without ever retracing his steps.
The track, a jagged instrumental courtesy of twigs alongside producers Skrillex, Nicolas Jaar, Benny Blanco, and Noah Goldstein, fills in the space between these two modes of address—sweet entreaty, throaty self-recrimination. Atop laidback horns, the year-old delivers a performance steeped in the lineage of imaginative reggae-dancehall, particularly that of her mentor, Chronixx. She is a clever, urgent lyricist, constantly finding new pockets to play in.
They give "I Need You" the feeling of being suspended between two planes, its knees planted on the ground as its spirit drifts to the sky like a prayer. Thank you for being there. You mean so much to me. Brooklyn synth-pop band Charly Bliss introduced their second album, Young Enough, with a glimmering, radioactive song that delights in blowing everything up. The ultimate irony of this song about a commitment to do less? Chicago rapper Polo G came up listening to local greats like Lil Durk and G Herbo, whose storytelling balanced titillation and tragedy.
His own music is a logical evolution of their writing, even more vulnerable and irrepressibly sad. Telling his story, Polo G makes every word matter. Lil Tjay]. Together with her fellow riot-starter Dylan Brady, Les crunches steel-wool bass and styrofoam guitars into something wonderful. Over the course of his last several albums, each a document of loss, Phil Elverum has become one of the most bracingly frank songwriters of our generation. On the first single from his sequel to the Mount Eerie album Lost Wisdom, he and collaborator Julie Doiron zoom out from the everyday minutiae of grief, excavating a broader-reaching poetics from blunt observation.
The answer is love, of course. These are songs that playfully skewer the fashion world for its vanity and vacuity while secretly desiring to be part of it. When it comes to peak-hour dance tracks, there are crowd-pleasers that give the audience a perfect loop or breakbeat to sink their teeth into, and pivot tunes that give the DJ space to steer the night in new directions. Stormzy's delivery is as stealth and cool as a Lamborghini in a foggy alley at night, further codifying his versatility as an MC and expressing the sweatless confidence of a newly crowned king.
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